in the FuseBox with Philip K. Dick

Some very exciting news – from now until the autumn, I’ll be the Writer in Residence at Brighton tech hub the FuseBox! The residency’s going to be themed around Philip K. Dick. I’ll be helping bring together forward-looking members of Brighton’s academic, technological and creative communities to think about his writing, the themes that drive it and everything that it’s inspired.

It’s going to be a fascinating few months, a wonderful opportunity to see what science fiction can mean to people using and thinking about technology in all sorts of different ways. I’ll be part of Imagined Futures, a series of Dick-themed events for all of those communities, blogging about what comes out of them, and sharing my own work and my sense of what SF is and how it can illuminate the world around us.

It’ll give me so much inspiration for my own writing, too – after all, there’s nobody better qualified to help an SF writer understand tomorrow than the people who are making it happen today. And of course it’s already sent me diving back into Phillip K. Dick. He feels particularly relevant just now, both as a philosopher of the unreal and an inspirer of the very real.

Let’s  start with the unreal. What’s always struck me about his books is how they show the world as a molten, unreliable thing, resolutely refusing to settle into any final version of itself. ‘The Man in the High Castle’ shows us an alternate reality that can be disproven by the I-Ching. ‘Ubik’ shows us an apocalypse of time, space and self that strongly resists falling into any single, simple interpretation. ‘Valis’ leaps between religious mysticism, gnostic fantasy and pure SF, leaving it to the reader to decide what they’re really witnessing. And so it continues, throughout his novels and short stories.

Again and again, Dick pokes holes in the real. He leaves us with literary artefacts that are at once undeniably there, present before us as words on the page, but also impossible to grasp in any single, final, fully knowable way. In our modern age of fake news and performed reality, that makes them profoundly current. We’ll do our best to get to grips with them, exploring exactly how they resonate today.

And then there’s reality. Paradoxically, as Dick’s slippery fictions have gone out into the world they’ve driven the creation of something very hard-and-fast. They’ve become one of the great engines driving modern SF cinema, sitting directly behind major movies like ‘Blade Runner’, ‘Total Recall’, ‘A Scanner Darkly’ and ‘Minority Report’, and indirectly behind many more. And cinema demands the real – for SF to work onscreen, it has to show us entire, absolutely convincing worlds.

So, inspired by Dick, production designers have created very concrete visions of tomorrow. Industrial designer Syd Mead went from designing cars, hotels and consumer tech to building a whole world for ‘Blade Runner’. The gestural interface Tom Cruise uses in ‘Minority Report’ was directly based on work from the MIT Media Lab. Even the relatively cartoonish world of ‘Total Recall’ is suffused with technologies that – taken on their own terms – are entirely consistent and credible.

In bringing Dick’s futures to life, film makers have done far more than just engage with the slippery nature of his (un)realities. They’ve prototyped futures – and there’s as much to learn from those concrete futures as there is from his original visions. So we’ll be looking at those very real things too,  seeing exactly what practical lessons we can take away from them.

I’m sure that it will all combine in very exciting ways. It could be we’ll find a road map to steer us past the pot holes and wrong turns and confusions of now; it could be that – like so many of his heroes – we’ll find that losing ourselves in them all is the only way to move on.

Either way, we’ll have a blast. I can’t wait to see where we end up – and if you’re around in Brighton while any of it’s going on, I hope you’ll join us for some or all of it – drop me an email if you want to get on the mailing list for it all. If you can’t, do keep checking in here – I’ll be writing about all of our adventures in Dick’s worlds, while hopefully keeping a reasonably firm grip on this one too. So, see you at the next post!

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